• joaomarrom [he/him, comrade/them]@hexbear.net
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    5 days ago

    I’ll never stop finding it very funny that the only hugely popular mainstream mass entertainment product that I would possibly call “leftist” without making caveats for copious amounts of lib shit is a massive budget Star Wars show produced by fucking Disney

    what a time to be alive

    • barrbaric [he/him]@hexbear.net
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      4 days ago

      Eh, I’d argue it’s the same as most media about opposing “evil empires”. It’s not explicitly ideological, just vaguely anti-empire, and allows people to project whatever ideology they want onto it. I would guarantee many liberals will watch it and think “wow the emperor is Trump, Mon Mothma is just like Kamala Harris!”

      • KnownUnknownKnower [any]@hexbear.net
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        4 days ago

        People were comparing the Gorman massacre to the nasty tankies crushing the Hungarian freedom fighters, saying the empire “did a Tiananmen Square,” big evil empire is pretty easy to apply to the Soviets or China given the average level of historical literacy among the audience

      • quarrk [he/him]@hexbear.net
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        4 days ago

        That maintains its plausible deniability. In context, the massacre hits harder because 1.5 seasons have already shown the everyday reality of living within empire in a way that can’t be mistaken as vaguely anti-authoritarian. The realities of imperial maintenance are hard not to correlate with specific empires in history (it evokes alternately the British, Nazi-German, and American empires) and the logic of the anti-imperial struggle is hard not to correlate with real-world counterparts like the Bolsheviks, the Haitian revolution, the Chinese communists, and others.

        It doesn’t matter if viewers are ignorant of the specific historical references, as long as they understand and agree with the logic of anti-imperialism.

    • MolotovHalfEmpty [he/him]@hexbear.net
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      4 days ago

      I feel like Disney is such an enormous content mill of a machine that it might actually sometimes be easier to get the broader leftist messaging through, so long as you don’t say that your project is explicitly about actual politics.

      That movie The Creator springs to mind. That might be the most most intensely anti-American-war-machine agitprop movie since Verhoven was killing it in the 80s and the whole thing is basically a Maoist global revolution fantasy.

    • CountryBreakfast@lemmygrad.ml
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      4 days ago

      Sometimes capitalists are so desperate they will sell you an experience that can help you recontextualize how atrocities are committed and how empires are made in ways that are relevant to our contemporary moment. Should we take it as a sign of hope? A turn in certain western minds? Or of crushing cynicism? Another future of revolution bought and sold? I guess it’s up to all of us to make something out of these times if we can.

      • Rey_McSriff [he/him]@hexbear.net
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        4 days ago

        If you haven’t already, I suggest reading “Capitalist Realism” by Mark Fisher. It was written in 2009 but explores the idea of capitalists “selling” communism in pop culture

        • CountryBreakfast@lemmygrad.ml
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          4 days ago

          Indeed it’s quite relavant. It’s interesting when it happens (selling communism or revolution) and they don’t paint the characters as evil. Like in The Expanse they depict resistance to the inners as justified but then have that resistance largely coming from genocidal maniacs or “backwards,” resentful belters. Andor doesn’t do this to that extent, but it does try to paint the rebellion as a bit more “gray” than good. And there are characters like, Saw, who is radical but is seen as unhinged, problematic, and is hated by the most privileged, liberal coded parts of the rebellion. Further, the SW rebellion is meant to restore the republic–the failed government that basically was fertile ground for fascism. It’s already flawed.

          Still, resistance itself is preserved and even if Saw is depicted as problematic he still has a role in making resistance possible.

          Basically, Disney feels safe allowing us to imagine resistance right now because we feel scared and are vulnerable to big feels about these things. And it has some extra safety markers just to be sure. It’s predatory, but also we are not powerless to define it for ourselves to the extent we can, and to the extent that it serves us to do so. Capital does not control the world totally or have a cultural monopoly. It must negotiate power and discourse just as labor or anyone does.

          • Sinisterium@hexbear.net
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            4 days ago

            Star wars has fascism (even named-dropped) but no equivalent of communism, not even wealth redistribution, the closest things are evul palps nationalizing the banks and megacoperations (which gets retconned and re-canonized every three years) and the seperatist with the whole imperial core and rim (global south), which isnt really consistent since they keep adding rich industrialized worlds into the mid rim and colonies and we barely get to explore core world besides coruscant.

      • Collatz_problem [comrade/them]@hexbear.net
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        4 days ago

        joyce-messier One may dye their hair green and wear their grandma’s coat all they want. Capital has the ability to subsume all critiques into itself. Even those who would critique capital end up reinforcing it instead…

  • 小莱卡@lemmygrad.ml
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    5 days ago

    this is the hook, they invest in a high quality product like Andor, now that they have captured your subscription, they will make dozens low budget AI written shitty products and you will watch every single one hoping its as good as Andor and failing every single time.

  • regul [any]@hexbear.net
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    5 days ago

    The total production budget of the original Star Wars trilogy, adjusted for inflation (2024 dollars), is approximately $227 million.

    • darkcalling [comrade/them, she/her]@hexbear.net
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      4 days ago

      Well 3 things:

      1. Americans are media illiterate,
      2. Americans revel in being the bad guys as long as they can look/feel cool. Reminds me of that British navy ship that played the imperial march on loudspeakers transiting a port or canal or something,
      3. They sell the rebellion toys and such as well so they could always try to push more of those. (Truth be told the empire’s stuff for most part looks cooler (not counting pre-Empire galactic Republic stuff some of which looks pretty neat but none of which has any current relevance given the whole new empire thing past the original trilogy Disney is pushing)). But see 1-2 for why they could make an ISB play-set with Doctor Gorst and Star Wars nerds would rush to buy it.
    • barrbaric [he/him]@hexbear.net
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      5 days ago

      If anything it probably caused a bump in sales as people remembered storm troopers etc. There’ll probably be a lego TIE prototype for like $600 soon.

  • Awoo [she/her]@hexbear.net
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    4 days ago

    $650million was worth it for Star Wars. Consider that they’re already seeing the effects of its success elsewhere in the franchise. Battlefront 2 for example went from being a dead game to having 18k concurrent players, which for an old game is insane.

    That’s the Andor effect. It happened at the end of Season 2, people wanted more Star Wars. This same effect will have occurred across other parts of the franchise as well.

    It’s extremely valuable. It will become recommended to new Star Wars fans, potentially as a starting point, or at least after watching the original trilogy. It is as valuable to the franchise as the original trilogy was. Getting a win like this will keep Star Wars alive for them for another 2 decades of sales.

  • D61 [any]@hexbear.net
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    5 days ago

    So you’re telling me they could have had 30 minute long episodes and twice as many of them?

  • kristina [she/her]@hexbear.net
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    5 days ago

    Frankly tired of people praising yet another garbage show that uses SV to make itself seem “serious” and “gritty”.

      • kristina [she/her]@hexbear.net
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        4 days ago

        I won’t be watching it, these sorts of plotlines always cordon off actual SV victims from the media. It doesn’t matter how “tasteful” it is, it’s slop that ultimately trivializes SV for the profit motive

        • WizardOfLoneliness [they/them, comrade/them]@hexbear.net
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          4 days ago

          “I won’t be watching it because of a thing they show one time in the second season which i have a very strong opinion of despite having no knowledge of howit is portrayed in the context ofthe show, which, i won’t be watching”

          • kristina [she/her]@hexbear.net
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            4 days ago

            The fuck is wrong with you? What are you arguing for? Do you want me to watch it? It doesn’t fucking matter how it’s portrayed. The setting, genre, and the company who made it itself trivializes the portrayal of SV. I say the same shit about Tasha Yar in Star Trek.

        • Sinisterium@hexbear.net
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          4 days ago

          To back you up, the SV scene did lead nowhere, since the character gets magically “fixed” by killing (one) of her torturers.

    • CountryBreakfast@lemmygrad.ml
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      4 days ago

      It’s interesting that liberals and fascists have also not liked this part specifically. Somehow depicting the empire as more than a force that makes trains run on time has had an impact on cultural discourses and ruffled feathers across political and ideological lines. And since the assailant is killed and the crime is violently refused by a lone woman, it is difficult to invent a victim narrative or a savior narrative to relieve the tension of depicting imperialism in this way.

      Furthermore, I think the idea that Andor works to make the empire seem gritty misses how mundane the empire is shown. The show isn’t trying to get gritty. It’s saying that SV is a mundane and obvious part of empire building. Leaving it out carries its own risks, just as depicting it carries other risks.

      • D61 [any]@hexbear.net
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        4 days ago

        … but its also not necessary to depict it.

        Is the torture scene on Ferrix not enough deeply personal abuse?

      • kristina [she/her]@hexbear.net
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        4 days ago

        It’s saying that SV is a mundane and obvious part of empire building. Leaving it out carries its own risks, just as depicting it carries other risks.

        Well you see akshually in my toy empire it shows real empire chews people up like you, I love toy empire media. I will defend this use of “art” in my toy empire at the expense of limiting access to media for actual victims. I’m so glad toy empire show is so popular I can’t stop talking about it I hope they make more and get more profit

        ☝️🤓

        • HelluvaBottomCarter [comrade/them]@hexbear.net
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          4 days ago

          Is this aimed at your fellow hexbears? Some of us are SA victims and it would be really shitty to label us as childish SA enthusiasts just because you’ve spent the past 3 years quietly seething over disney slop being popular on a communist website.

        • CountryBreakfast@lemmygrad.ml
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          4 days ago

          Maybe I should treat survivers as damaged people who can’t cope with the realities of empire. Perhaps that will show how ethical and measured of a person I am for making trauma the essential variable that determines your value. Afterall it’s all make believe. It’s just a commodity. You don’t exist and neither do I. Why should I care how imperialism is depicted?

    • S4ck [none/use name]@hexbear.net
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      4 days ago

      I didn’t even realize what scene you were talking about until I googled it. I disagree that it’s used to make it more serious and gritty.

          • Sinisterium@hexbear.net
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            4 days ago

            Its not explored at all. Bix

            spoiler

            gets a short scene where she kills a dude then is perfectly fine and then returns with her special hope babe as a vessel for cassian’s patriarchal lineage to the occupied ICE metaphor farm planet where she only has suffered traumatic experiences instead of her mechanic worshop on ferrix.